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Belleek Collectors:
Lady Langham has a very limited stock of the new
book on Belleek by Robert Arnold, Belleek: The Green Stamp Years, for
only £10.00 (approximately USD $15.50) plus postage. This is a new
book which has just been published, written by Robert Arnold whose family
played such an important part in the early life and history of the Belleek
Pottery. The book, liberally illustrated with photographs and documents
of the period, gives a vivid insight into the working life of the pottery
and the personalities who shaped Belleek during the period from shortly
before World War II up to 1970.
The following are are a couple of excerpts to give an
idea of the flavor of the text and of the interesting insights into the
every day lives of the pottery workers, as well as the production process
of how Belleek was made, step by step:
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From the chapter on Flower and Basket Makers:
"The flower and basket makers were located
on the top floor above the Boardroom in the centre of the building.
It was a small and personalised department. Son often followed father
and skills were built up slowly, by years of constant practice.
Each person started making flowers and their style and product was
easily recognised by the other craftsmen. As you became proficient
at flower making the next stage was to actually make and attach
flowers to a slipware piece. This stage lasted for up to six months.
Then came the basket making starting with the small ones and gradually
getting larger as experience and confidence grew. Finally came flowered
and covered baskets and spider web plates...."
and from the chapter on Decorators:
"In the early years the decorators were mainly
men. Eric Arnold supported this situation and was quoted in the
Express of September 1954 as saying 'Women just haven't the
patience for the delicate hand work needed in this pottery.' When
Cyril Arnold arrived he was accustomed to lady decorators in Stoke
on Trent and felt the practice should extend to Belleek. Eric agreed
on the proviso that once the decorators were married they had to
leave. Decorators were paid by piecework and were fast and accurate
at their job. They started as a cobber, putting the yellow lustre
on the inside of the cups and then moved on to saucers which were
much faster. Next came the shamrocks and finally the coloured ware
and the flowered baskets. All the decorators worked on piecework
and were paid a fixed price per dozen. Each person's output was
counted by Mary O'Connor and Mary Branley before it went to the
kilns...."
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Click here for Lady
Marion's online shop, and here to see other great Belleek titles now
available in her site's publications
section.
To order, contact Shirley at
shirley@ladymarion.co.uk.
Best,

Robert Ruiz
Belleek: Form Follows Fantasy
http://www.robertruiz.com/belleek/
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